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旅行最紧要近
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在收拾泳衣時,討論到是去三亞還是海南還是泰國的海邊,但其實不需要花大幾千飛幾個小時,到惠州,同樣擁有湛藍大海,而且不止一處,至於為什麼去惠州,因為從香港出發只需要一小時高鐵——旅行至緊要近!是時候介紹一些適合合家出遊的項目!要去森山老林露營?要到日本泡温泉?來珠海,就夠了——旅行至緊要近!
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美凤有约
2004 7.0分 剧情片
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小姐不熙娣
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  自带女王气势的 IPSS 的女王小S,睽违六年强势回归!以女性出发点的节目议题,聚焦女性的职场与生活感受。
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综艺大集合
2001 9.0分 剧情片
       《综艺大集合》是台湾的综艺节目,于2001年11月11日在民视首播。主持人为胡瓜、董至成、浩角翔起、谢忻、小娴。开播之初,播出时间为周日晚间八点至晚间九点十分;而后逐步延长至十点。于2011年4月24日起,提前至周日晚间七点三十分至九点四十分播出。节目更换型态后,改成外景录影节目,由胡瓜领军主持的民视综艺强档,该节目是一个乡土类节目,录影地点..
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大师兄Welcome Summer大激战
2025 7.0分 剧情片
迎接炎炎夏日,「大師兄」錢嘉樂偕同主持拍檔阮兆祥、麥美恩、林秀怡、林正峰,召集一眾藝人嘉賓走出錄影廠,同時將遊戲場地搬到泳池,舉行多場水上大激戰,務求帶來一連串消暑畫面,並為觀眾送上涼快笑彈!
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女神配对计划
2025 10.0分 剧情片
戀愛真人騷《女神配對計劃》矚目啟動,主持Bob林盛斌為五大女神李芷晴、葉蒨文、關嘉敏、梁敏巧、羅毓儀牽紅線。女神以撳燈形式挑選心水對象入組,每組僅三個名額。一女三男相聚三角枱用餐,男士表現決定命運,隨時贏得與女神單獨約會的機會,也可能會被淘汰!爭奪戰升級,三日兩夜營會安排組外互動,「對的人」或掀變數?連串殘酷試煉,誰人可為愛奮戰到底,又能否打動女神芳心?星級「花生團」隔空直擊約會實況,齊齊食花生..
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《欧洲的某个地方》剧情介绍

6080提供影视作品欧洲的某个地方高清全集在线观看的影视全集网,剧情片《欧洲的某个地方》全集作品的导演是Radványi  Géza   ,由Artúr Somlay  Miklós Gábor  Zsuzsa Bánki  主演,欧洲的某个地方在豆瓣的评分为8.0,本片由小编于2025-04-16 07:27更新,希望大家喜欢,可以把《欧洲的某个地方》推荐给你朋友,本作品的地址为 http://www.chinaacdc.net/movie/33645.html

《欧洲的某个地方》简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

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