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红豆面包
2025 7.0分 喜剧片
本剧以创作《面包超人》的柳濑嵩和小松畅夫妇为原型,以昭和初期为背景,横跨战前至战后,讲述了两人借由红豆面包结识,从失去生活意义的苦难岁月到不忘梦想的人生故事。在这个爱与勇气的物语中,这对曾经无名的夫妇战胜各种惊涛骇浪,直至"无法逆转的正义"化身《面包超人》的诞生,传达出生命的喜悦。
更新至第56集
为什么是我来神说教
2025 10.0分 喜剧片
本剧讲述了主人公丽美静(广濑爱丽丝 饰)是一个对学生毫无感情、为了摆脱无业生活而不情愿当高中教师的28岁语文教师。本应避免纠纷,避免深入生活,但不知何时被卷入问题儿童聚集的学生们的事情中,陷入明明不想“说教”却不得不“说教”的状况,压抑着“为什么是我来说教”的内心呐喊,四处奔走。合规问题、权力骚扰、怪兽家长、真心话和场面话“为什么是我!?”这样的呼声交织在一起的老师们的真实故事,以“现在,应该被..
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岂有此理~茑重繁华如梦故事~
2025 8.0分 喜剧片
  讲述日本江户时代黄纸画及浮世绘等风格画作出版人茑屋重三郎的故事。
更新至第23集
魔物2025
2025 10.0分 喜剧片
本剧讲述了怀抱孤独的律师华阵绫芽(麻生久美子 饰)一直独立生活,从不依赖任何人,对那些将“软弱”当作武器的女性抱有某种轻蔑之情。然而此时一个名叫源冻也(盐野瑛久 饰)的男人出现在她面前,他深信“爱即占有”,拥有一张端正的脸庞,散发着神秘的气息。尽管冻也已有一位温顺的妻子,但却被怀疑涉及家庭暴力,甚至成为一起大学教授谋杀案的嫌疑人。         &nbs..
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我亲爱的宝贝~直到我支配你~
2025 7.0分 喜剧片
2025年春,发生了震撼全日本的冲击事件,突然出现报道了“人气演员用刀刺伤负责的女经纪人”的耸人听闻的新闻。隐藏在这则新闻背后,女经纪人和演员之间发生的冲击性事件是?资深经纪人吉川惠子(松下由树 饰)被出道前培养起来的国民女演员背叛,陷入绝望的深渊。在这样的情况下,在街上偶然擦身而过的森山拓人(野村康太 饰)感受到命运,邀请他进入艺能的世界。        ..
更新至第11集
正港男一匹
2025 10.0分 喜剧片
本剧改编自同名漫画,讲述了天下闻名的火箭阿正(伊藤英明 饰)周遭都是敌人的男子随时都不能松懈。对于拔刀相向的人一律不能宽容。要命的话就避开他。否则下场就是成为冤大头。打来打去的黑道日子,老大护着小弟,小弟学习老大,没有任何遗恨,只有全力反扑那就是男子汉的气概。既然要混黑道,身为一个人,身为一个男子汉,必须意志坚强,而且慈祥善良...
更新至第04集

《难以置信的事实》剧情介绍

6080提供影视作品难以置信的事实高清全集在线观看的影视全集网,喜剧片《难以置信的事实》全集作品的导演是霍尔·哈特利   ,由安德林妮·夏莉  罗伯特·约翰·伯克  马特·马洛伊  凯莉·莱卡特  主演,难以置信的事实在豆瓣的评分为7.0,本片由小编于2025-04-16 07:22更新,希望大家喜欢,可以把《难以置信的事实》推荐给你朋友,本作品的地址为 http://www.chinaacdc.net/movie/10254.html

《难以置信的事实》简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

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